"I don't see very clearly. Of course you must give her what you offered her; of course you must keep your word. There must be no mistake about that!" the girl declared. "At the West Kensington station—she was going to Victoria. I had walked with her there, and our talk was all on the way."!

"I asked for you," he said when she stood there, "because I heard from the flyman who drove me from the station to the inn that he had brought you here yesterday. We had some talk, and he mentioned it." "I could give up everything without a pang, I think, to a person I could trust, I could respect." The girl heard her voice tremble under the effort to show nothing but what she wanted to show, and felt the sincerity of her implication that the piety most real to her was to be on one's knees before one's high standard. "The best things here, as you know, are the things your father and I collected, things all that we worked for and waited for and suffered for. Yes," cried Mrs. Gereth, with a fine freedom of fancy, "there are things in the house that we almost starved for! They were our religion, they were our life, they were us! And now they're only me—except that they're also you, thank God, a little, you dear!" she continued, suddenly inflicting on Fleda a kiss apparently intended to knock her into position. "There isn't one of them I don't know and love—yes, as one remembers and cherishes the happiest moments of one's life. Blindfold, in the dark, with the brush of a finger, I could tell one from another. They're living things to me; they know me, they return the touch of my hand. But I could let them all go, since I have to, so strangely, to another affection, another conscience. There's a care they want, there's a sympathy that draws out their beauty. Rather than make them over to a woman ignorant and vulgar, I think I'd deface them with my own hands. Can't you see me, Fleda, and wouldn't you do it yourself?"—she appealed to her companion with glittering eyes. "I couldn't bear the thought of such a woman here—I couldn't. I don't know what she'd do; she'd be sure to invent some deviltry, if it should be only to bring in her own little belongings and horrors. The world is full of cheap gimcracks, in this awful age, and they're thrust in at one at every turn. They'd be thrust in here, on top of my treasures, my own. Who would save them for me—I ask you who would?" and she turned again to Fleda with a dry, strained smile. Her handsome, high-nosed, excited face might have been that of Don Quixote tilting at a windmill. Drawn into the eddy of this outpouring, the girl, scared and embarrassed, laughed off her exposure; but only to feel herself more passionately caught up and, as it seemed to her, thrust down the fine open mouth (it showed such perfect teeth) with which poor Owen's slow cerebration gaped. "You would, of course—only you, in all the world, because you know, you feel, as I do myself, what's good and true and pure." No severity of the moral law could have taken a higher tone in this implication of the young lady who had not the only virtue Mrs. Gereth actively esteemed. "You would replace me, you would watch over them, you would keep the place right," she austerely pursued, "and with you here—yes, with you, I believe I might rest, at last, in my grave!" She threw herself on Fleda's neck, and before Fleda, horribly shamed, could shake her off, had burst into tears which couldn't have been explained, but which might perhaps have been understood.

"You mean, even if she doesn't let you off? Ah, you ask me too much!" Fleda spoke from the tiny hall, where she had taken refuge between the old barometer and the old mackintosh. "There are things too utterly for yourselves alone. How can I tell? What do I know? Good-bye, good-bye! If she doesn't let you off, it will be because she is attached to you." "I doubt if they'd bear it again!" "When I got into this I didn't know you, and now that I know you how can I tell you the difference? And she's so different, so ugly and vulgar, in the light of this squabble. No, like you I've never known one. It's another thing, it's a new thing altogether. Listen to me a little: can't something be done?" It was what had been in the air in those moments at Kensington, and it only wanted words to be a committed act. The more reason, to the girl's excited mind, why it shouldn't have words; her one thought was not to hear, to keep the act uncommitted. She would do this if she had to be horrid.